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Blog posts tagged with 'free-standing lace'

Lace Heart Box
Lace Heart Box

A touch of delicate romance is a delight year round, not just for Valentine’s Day! Consider other holidays—Mother’s Day, Sweetest Day, birthdays—or just a special token to say “I’m thinking of you.”

 

This versatile little design can be sewn as a trinket box, sachet, or simply as hearts. You’ll notice the top has a small inner heart, perfect for customizing with another small design or a monogram. The bottom is more plain to reduce sewing time and provide a place for an additional message.

 

To make lining the box simple, I created 2 appliqués sized to fit into the lid and base. Lining is optional.

 

This small ring or trinket box is designed so that it may be sewn in a 4x4” or 100x100mm hoop. If you have a 5x7 hoop, you’ll find a longer side piece that can be used instead of piecing two smaller segments together for each side.

 

Please read all instructions before beginning

 

Included

  • PDF instructions
  • PDF Templates for
  • Freestanding appliqué inserts
  • Shaping lid
  • PDF license & color sequences
  • 8 embroidery designs

Designs

You’ll notice the focus of this design differs from many of the free-standing lace designs widely available on the internet these days. Those designs are often created by laying down a mesh of fill stitches as a fabric substitute and then stitching satin elements over the top. Such designs are quicker to digitize but they don’t capture the elegance of the old time hand punched lace. I have incorporated areas of “mesh” on both the lid and the bottom to allow personalizing your heart box as desired.

 

Included designs:

  • lgp00201-Lid
  • lgp00202-Bottom
  • lgp00203-Sides (for 5x7” hoop)
  • lgp00204-Sides (for 4x4” hoop)
  • lgp00205-Appliqué insert for lid
  • lgp00206-Appliqué insert for bottom
  • lgp00207-Sachet bag (in the hoop)
  • lgp00208-Rosebud embellishment
 

Supplies

  • 1/8” wide ribbon (matching or contrasting)
  • Embroidery thread (metallic not recommended due to short stitch lengths)
  • Bobbin thread (may match needle thread or use regular bobbin thread)
  • Wash-Away stabilizer (I used products from Hemingworth and Perfect Solutions)
  • 4x4” square of foam core
  • Xacto knife
  • Invisible thread for stitching side panels together
  • Duct tape
  • Wire cookie drying rack
  • Thick, absorbent towel
  • KK2000 or other TESA (temporary embroidery spray adhesive)
  • Cellophane tape
  • Straight pins
  • Clear drying fabric glue (not hot glue gun)
  • Needle with large eye for lacing ribbon
  • Artist’s paint brush (small flat used for acrylics is perfect
 

Optional

  • Bobbins wound with matching thread
  • Fabric for lining the box (satin, velvet, velveteen, silk are excellent choices)
  • Appropriate stabilizer for embroidering
  • Medium weight cutaway stabilizer for appliqué stability
  • Steam-A-Seam II for appliqué or other fusible web for appliqué
  • Heat fusible tearaway (8” wide roll are perfect)
  • Hot fix crystals for additional embellishing
  • Potpourri for sachet
  • Lining fabric for sachet
 

Cautions

  • Resizing lace designs is not recommended.
  • For optimum results, do not combine multiple pieces in larger hoop.
  • This design was not digitized for metallic threads; you may get more thread breaks due to the shorter stitches.
 

Process Overview

  1. Sew lace designs.
  2. Cut out foam core template for shaping lid.
  3. Trim stabilizer away close to designs. Rinse out stabilizer and shape appropriately to dry.
  4. Optional: Apply hot-fix crystals.
  5. Stitch side pieces together end to end to form one continuous loop.
  6. Lace side piece to bottom with ribbon.
  7. Lace ribbon through the lid rim.
  8. Optional: Sew lining inserts, if desired and fit into lid and base.
 

General Tips for Lace

The quality of your lace depends heavily on proper hooping and machine tensions. If the thread tensions are too tight, the stitches will be pulled more and sections may not align properly, underlay may be exposed, and your design may fall apart in areas when the stabilizer is removed. You can also experience these problems if the stabilizer slips in the hoop.

 

Sometimes there are just a few errant stitches hanging out and these can be trimmed away with small thread snips.

 
    • Sew in the smallest hoop that will accommodate the design. Do not combine multiple pieces in one hoop.
    • For optimum results, hoop two layers of water-soluble fiber-based stabilizer (not film) in the hoop. Make sure both layers are smooth, taut and fully gripped between the rings of the hoop. I prefer duct taping the stabilizer to the hoop (after hooping).
 

Do not use a film type water soluble stabilizer. These stabilizers—even the very heavy ones—will perforate during stitching causing a loss of stability!

 
  • Make sure your machine is clean and properly tensioned. Overly tight tensions will pull the stitches more tightly and may cause exposed travel and underlay stitches.
  • After embroidering the lace, trim away excess stabilizer and rinse in water (refer to your stabilizer for appropriate temperature). Do not over-rinse; the remaining stabilizer will act as a stiffener to give your design body.
  • To dry, smooth out the pieces on a thick, absorbent towel. Roll up the towel and press out the excess moisture; do not wring out lace. Lay the pieces out flat to air dry, shaping if distorted. You may wish to lightly steam press the pieces after drying to flatten if necessary,

The sides and bottom should dry flat, the lid needs to be shaped over the foam core form

 

Planning Your Project

Before you begin sewing, customize the designs if you wish. For example, add a monogram or small floral design, such as one of the florals from Building Blocks 1, Florals 1 or Building Blocks 6, Delicate Roses. You may also wish to add a small message to the bottom or here again, you can add some other designs. These additions can be sewn in the same color as the rest of your box or in contrasting ones

 

As a bonus, one of the rosebuds from Delicate Roses has been included with this project collection.

 

If you are not lining your box and you are sewing in a color other than white, you may want to wind some bobbins with matching thread so the inside looks just as pretty as the outside.

 

Sewing Lace Box Pieces

Sew one top, one bottom and one of the side piece designs.

Shaping the Lid

1. Make the shaping template.

 

Print the lid template, making sure it prints at full size. This template is sized to exactly fit within the embroidered lid.

 

Cut out loosely, spray the back with TESA and smooth onto the square of foam core. Using the X-acto knife, cut out by tracing the printed heart outline. Don’t try to cut all the way through at once.

 

Once the heart is completely cut out, you may want to wrap short lengths of cellophane tape around the cut edges to reinforce them.

 

Optional: Wrap the foam core heart in plastic kitchen wrap to protect it from the damp lace. (An especially goo idea if you are making multiples.)

 

2. Form the damp lid piece over the template.

 

The solid satin border should line up just along the outer edge. Fold the scallops over the side and hold in place with straight pins.

 

 

Optional Embellishment

Once the pieces are dry, now is the best time to apply hot fix crystals or other embellishments, if desired. Small pearls would look especially pretty

 

Assemble Sides

Using invisible thread and a zigzag stitch (multi-step or standard), butt the side pieces on the short ends and zigzag the sections to form one continuous loop. A stitch width and length of 1.5 to 2.0mm works well.

 

If you are concerned about getting a nice alignment, tape the ends to a piece of Wash-Away to hold in place during stitching. Trim off excess stabilizer and remove the remaining bits with a paintbrush dipped in water

One seam will match the center top and the opposite seam will match to the bottom point of the heart. If desired, weave a ribbon through the scallops similarly to lid edge.

 

Attach Sides to Bottom

There are two options for attaching the side piece to the bottom. One is to lace the pieces together using a ribbon (about 1 yard needed). The richelieu bars are designed to line up between the two pieces. Tuck the ends in and hand stitch or glue.

 

The other method is to join the seams similarly to how the side pieces were done. Using a machine zigzag and stitch from the outside of the box, matching the bars as you stitch

Don’t limit yourself to solid color ribbons or matching colors! There are some beautiful hand-dyed ribbons available or you can use fabric paints or inks to color your own

 

Finishing Lid

Once the lid has dried, remove the pins and foam core form. Lace a piece of ribbon (about 14” if no bow) through the scallops going over the center bar and under the scallop border. The ends can be hand stitched together on the inside (or glued) or the ends can be tied into a small bow. (I just used glue).

 

 

Creating the Lining Pieces

The included templates are used to precut your appliqué shapes for machine embroidery. For the sample here, I fused two pieces of fabric wrong sides together with a layer of medium weight cutaway sandwiched in the middle using Seam-A-Seam II. I also wound a bobbin with matching thread.

 

The drawback to lining the lid and including the stabilizer is that the rim of the lid is already very short (to keep it within a 100x100mm sewing field) and this added thickness will make the lid less secure.

 

Print the template at actual size, loosely cut out a pair of the lid and bottom templates and fuse to the top side of the fabric. (I printed on fusible tearaway in an ink jet printer.) Cut out shapes precisely along the outer edge of each line

 

 

At this point, you will need to consider your stabilizer. For example, if you’re using a fabric that cannot get wet, then a water soluble stabilizer will be a problem. (The paint-brush removal technique shown here can often be used on fabrics not suitable for soaking in water.) You will need to select a stabilizer that can be removed cleanly without damaging either the stitches or the fabric. For the steps shown here, I used one layer of Wash-Away.

 

Sew color one of the design for a placement guide directly onto the stabilizer. Remove the pattern template, lightly mist the back of the fabric appliqué with TESA and precisely place the piece over the stitched lines. Finish the design.

 

 

 

Remove from hoop and trim away the excess stabilizer close to the stitching line both outside of the embroidery and on the back, as shown below.

 

Heat a small container of water and using a paint brush dampened (not dripping) with water, gently melt away the remaining bits of stabilizer. If your fabric water spots easily, trim as closely as possible to the stitching and keep the brush as close to the stitches as possible. Take care to avoid a really wet brush that will promote moisture wicking into the fabric.

 

 

This paint brush method will avoid time spent rinsing, drying, and pressing. It’s really quite easy and quick to do and works especially well when the stabilizer is not entrapped in a lot of stitching.

 

Do not soak out water soluble products if you have used a TESA and it has not fully dissipated. You can speed dissipate TESA with a medium hot dry iron, however, many fiber based washaway products will shrink with heat. Do not use this method if your fabric cannot handle heat.

 

If your fabric won’t tolerate the paint brush method, another option is to use nylon organza as a stabilizer and instead of using the double sided fabric, appliqué onto the organza, then simply cut or melt away the organza for a two-sided piece.

 

The finished appliqués fit snuggly into the top and bottom. You may wish to secure with a few stitches here and there or dots of clear-drying glue.

 

You can also use the templates to simply cut out a piece of felt or ultra suede to use as a lining.

 

Sachet

You can easily make a small sachet by embroidering 2 lid pieces. For this sample, I completely rinsed out all traces of stabilizer. You’ll notice that when you do this, you have a very soft, drapable piece of lace.

Stitch a simple bag lining in the hoop by hooping two layers of organza or other lightweight tightly woven, semi-sheer fabric (right sides together) and stitching design lgp00207. Trim away excess with pinking shears leaving a scant quarter inch seam allowance. Turn the bag.

 

If you prefer to conserve fabric, simply use the lid appliqué template as a pattern and add seam allowances

 

 

If you are using a powdery potpourri, close up the opening so that it is just large enough for a small funnel. Pour in the scented stuff and finish closing. Partially lace the ribbon through the heart scallops starting from the center top. Insert the scent bag into the lace sachet and finish lacing

 

Sandwich the sachet between the two lace hearts and lace the hearts together through the scallops. You may wish to add a ribbon loop to hang the sachet. These little sachets would make wonderful wedding gifts for the bride and bridesmaids.

 

Troubleshooting

These designs have been tested on my own machines with 40 wt. rayon and polyester and 50 wt. cotton embroidery threads, rinsed and rigorously pulled to check for areas that are not well connected. All samples were sewn with 2 layers of Hemingworth Wash-Away or Perfect Solutions Wash-Away Mesh. If you use the designs as is with similar products, you should get results similar to those shown here.

 

If your results pull apart, have stray exposed stitches, or other registration issues, the two most common reasons are overly tight tensions and/or shifting of the stabilizer due to the forces of sewing. To prevent the latter, I prefer to use duct tape, as illustrated below.

 

Other Notes:

Feel free to put your own touch of creativity on your heart box. For example, you may choose to make the sides a different color from the lid and base. You may embellish your lid with ribbon roses.

 

The lid piece is also suitable as an appliqué on other projects or attach to a greeting card.

Poinsettia Lace Angel
Poinsettia Lace Angel

This exquisite Poinsettia Angel features free-standing machine embroidered lace combined with appliqué panels on her skirt. The wings can be embroidered as either free-standing lace (as shown) or embroidered onto Twinkle Organza for a shimmery, gossamer effect. This angel can beautifully top off your Christmas tree or become the magnificent focal point on your mantle or holiday table. Make her as special gift for someone special—which just might be you!

 

Appliqué is personally one of my favorite techniques. It is relatively easy and can add texture, pattern, and colors that aren’t available in thread. And it can significantly reduce stitch counts. Here I’ve used appliqué on the skirt, part of which is hidden under the lace yoke. Having a solid area there allows the intricate lace detail to be more visible.

 

This project assumes you have some experience with embroidering lace. I have a included beginner tutorial with Winter Jewels Mock Crochet Snowflakes, which are geared for beginner embroiderers.

 

These instructions focus on assembling the angel and include only basic instructions on the featured techniques.

 

Featured Techniques

 

  • Free-Standing Lace
  • Free-Standing Appliqué
  • 3-D Appliqué with Free-Standing Lace

 

Instructions

 

This design project includes multiple pieces and techniques. Please read through the directions first. Also, plan time to make this angel. Although not technically difficult, she does require attention to detail and time. You’ll need sewing time, drying time, and assembly time so do allow more than a quick afternoon make-it, take-it kind of project.

 

Please read all instructions before beginning!

 

Abbreviations

 

  • TESA Temporary Embroidery Spray Adhesive
  • FSL Free-standing Lace
  • FSA Free-Standing Appliqué
  • 3DA 3D Applique

 

Supplies

For embroidery:

 

    • Poinsettia Lace Angel designs
    • Small amount of fabric (fat quarter) for skirt appliqués (must be compatible with water to allow stabilizer removal)
    • Embroidery machine with minimum 130 x 180mm (5x7”) sewing field
    • Embroidery thread: These designs were digitized and tested with 40 weight embroidery threads (SoftLight Metallic, Rayon, polyester, cotton)
    • Bobbin thread: I used regular embroidery bobbin thread (for best results, wind on the bobbin your machine prefers if prewounds aren’t providing optimal results).
    • Needles: embroidery needle to accommodate thread. I used a 75/11 Schmetz. I do not use a metallic needle with metallic threads.
    • Water soluble non-woven fiber based stabilizer (Hemingworth Wash-Away and Sulky FabriSolvy are my two favorites)
    • Optional (but very useful!): thread stands
  • TESA (I prefer KK2000)
  • Cellophane tape

For drying:

  • Wire cookie drying rack

For Finishing:

  • Fine-tipped hot glue gun
  • 2 strips quarter inch wide ribbon (24” eachis sufficient); can be same or different colors
  • Tapestry needle for lacing ribbons
  • Clamp-type paper clip or clothes pin

Optional and Useful

  • Light table

For Embellishing:

    • Optional: glitter glue, white glue and glitter, tiny hot-fix crystals, bead, ribbon or decorative cord for hanging

Abbreviations

      • TESA - Temporary Embroidery Spray Adhesive
      • FSL - Free-Standing Lace
      • FSA - Free-Standing Appliqué
      • 3DA - 3D Appliqué
      • SPM - Stitches per minute

The Designs

 

This collection includes 10 design files, which are numbered in the approximate sewing order:

 

      • lgp00301 - Single leaf (useful if you have to replace one or want to test your technique first)
      • lgp00302 - 7 individual leaves combined (fits 5x7 hoop)
      • lgp00303 - single skirt panel, for 5x7 hoops
      • lgp00304 - 3 skirt panels combined for larger hoops
      • lgp00305 - dress yoke
      • lgp00306 - head
      • lgp00307 - 3-point halo
      • lgp00308 - 4-point halo
      • lgp00309 - large back wing segment (mirror for opposite side)
      • lgp00310 - middle forward wing section

 

Some formats will be missing some files because they are too large for your sewing field. This is why the DST format is always preselected and you should download it with your desired formats.

 

Preliminaries

 

Detailed instructions are not included for the various techniques. If you need more instructions please check the website or YouTube for free help:

 

General Instructions Overview

 

For those of you who don’t like to read directions, please at least read these general instructions to save yourself a little frustration. Those of you who need more guided assembly instructions can keep reading.

 

Some designs need to be sewn in a specific order. For example, the pieces used as 3D appliqués need to be sewn before the piece to which they are attached. Make sure you understand the sewing order, too, if you decide to combine pieces into one hoop.

 

        • The leaves are attached to the skirt panels; sew leaves in a separate hoop before the skirt panels.
        • The 3-point halo is a 3D applique attached to the 4-point halo; sew the 3-point halo in a separate hoop before the 4-point halo.

 

 

The sample shows 6 skirt panels, which are attached to the yoke by lacing with a ribbon. The double layer halo section is hot glued to the back of the head, which simply sits inside the skirt neck opening. The large wing segments are hot glued to the back of the small center wing segment. The yoke extensions meet in the back to form a back dress placket and are laced to the wings with ribbon.

 

All pieces of this project are sewn on two layers of water-soluble stabilizer. Feel free to use colors of your choice; the Poinsettia Angel would look elegant sewn monochromatically in ivory.

 

I prefer to match the appliqué thread to the fabric color but please yourself. You can totally change the character of your angel by altering the colors, threads, and fabrics you choose.

 

Step 1: Sewing

 

1. Make the Skirt Panels

The sample shown uses 6 skirt panels. You may choose to sew more or fewer. Each skirt panel is a 2 part appliqué.

1. The main fabric skirt section is appliquéd directly to the stabilizer.

 

2. The second appliqué is the center lace leaf motif, which is attached with the berry elements.

 

Therefore, you need to embroider the leaves before embroidering the skirt panel.

 

Center Leaves

 

There are two leaf design files. The first one is just a single leaf motif. This single design is included for test your machine for optimal tensions, if your machine is not getting results with the combined group, and if you just need to replace a leaf that didn’t sew out well.

 

The second combines 7 leaves which will fit a 130x180mm hoop or a round hoop on multi-needle machines. DO NOT COLOR SORT THIS FILE. Yes there are only two colors and yes, they repeat for each leaf. This method results in better registration, a critical factor in successful lace designs.

 

There are 7 leaves because this fits the 180 round hoop on my machine perfectly and also filled the 130 x 180 hoop nicely. It gives you one extra leaf so you can choose the 6 best ones or, if the first 6 sew out perfectly, stop before sewing the last one.

 

Sew the leaves as standard FSL. Cut out the leaves close to the stitching and do not remove the stabilizer

 

Skirt Panels

 

These appliqués were designed to work best with precut appliqué pieces using the included template. This is my favorite method for appliqué because it gives a clean, crisp, professional result with no little pokie fibers jutting out from the satin edges.

 

1. Print out the PDF template at actual size (Page Scaling: None) from Acrobat.

 

2. Apply the template to the FRONT side of prepared fabric (preshrunk, pressed, starched).

 

I prefer to print on fusible tear-away in an ink jet printer then iron the pieces to the fabric. This reduces the chances of slipping. You must cut your fabric EXACTLY like the template! If your fabric cannot tolerate heat, use TESA to secure the template to the fabric.

 

3. Cut out appliqué pattern EXACTLY along the outside edge of the outline.

 

4. At the machine, sew the placement guide (color 1). The machine should then stop, usually at the top of the appliqué area (left or right side of hoop on combined skirt panels file).

 

5. Remove the paper pattern from the appliqué, mist the back of the fabric lightly with TESA

and precisely align the pre-cut appliqué piece over the stitched outline making sure it won’t shift during the tack down process. Continue sewing.

 

6. ACCURACY THROUGHOUT THESE STEPS IS CRITICAL!

 

You may want to slow the machine down during the tack down in case you need to make some placement adjustments. Stop the design after the tack down sews and trim off any fabric that extends beyond the tack down. Attention to detail here will give you clean professional-looking appliqués with no “pokies” extending beyond the stitching.

 

Continue sewing the skirt panel up to the second appliqué stop. The last color sewn at this point will be the outlines for the berries, which are just placement guides. Align the berries on the cut out leaf motif over these guides and tape the leaf in place with regular cellophane tape outside of the sewing area (berries).

 

Sew the final color. Your skirt panel is complete. One down, five to go!

 

2. Make the Halo

 

The halo is a two piece 3D applique similar to the skirt bottom. Sew the 3-point halo first and cut out around the outer edges only.

 

Sew the 4-point halo up to the appliqué stop. Take the hoop out of the machine; do not unhoop the fabric. Line up the 3-point halo over the 4-point so that the center petal/bract is aligned vertically and the center circles exactly match.

 

This is where a light table comes in handy. Tape each top petal to hold the top piece in place. Return the hoop to the machine and sew the last color, which is a satin stitch over the circle attaching the two pieces together.

 

 

 

3. Sew Remaining Pieces

 

All the other pieces are sewn flat, with no special techniques. Be sure to mirror the large wing and sew again for the other side.

 

Step 2: Removing Stabilizer

 

Before removing stabilizer, clean up any thread tails and allow any TESA to fully dissipate. You can speed this process with a warm dry iron but do keep in mind heat will shrink the stabilizer. Don’t panic though, because you are going to wash it out in the next step. Just make sure you don’t press in any permanent creases into the fabric.

 

Refer to your product’s instructions for water temperature and any special requirements. Avoid over-soaking, especially on the full lace pieces. Simply rinse until you don’t see any stabilizer remaining, the extra remaining stabilizer will add support to your angel. It will probably feel gooey when you take it out of the water.

 

t is vital that the yoke and center wing extensions remain as stiff as possible since this supports the wing structure.

 

After rinsing, smooth out pieces on an absorbent, lint-free towel and roll or blot to remove excess moisture; do not wring lace. Lace pieces can then be laid on a wire cookie cooling rack to dry or be shaped or blocked over non-stick items as desired. (I dried mostly flat, curling the petal tips slightly). You will probably need to press the skirt panels to smooth them out when dry.

 

I used red silk for one angel’s skirt. Because this fabric bled when placed in water, I chose thread colors that would not be affected by any bleeding. And if you’re wondering about water spots on the silk… I soaked the entire piece in hot water before appliquéing so I guess that made it one giant water spot!

 

Embellishments

 

Once fully dry, feel free to embellishing with hot-fix crystals, sequins, glitter, etc. This is easier to do before assembling your angel.

 

Assembling the Poinsettia Angel

 

Skirt & Yoke

 

The skirt panels are attached to the yoke by weaving with ribbon through the Richelieu bars on the yoke section. There’s no real science to this; I chose to center the skirt panels under the petals on the yoke. Leave enough length on each end to tie a bow. The piece I used was about 24” long.

 

Pay attention that you attach the skirt panels right side up!

 

 

 

Some Helpful Tips

 

1. Start in the middle of the yoke with the center front skirt panel. Pull up half the length of the ribbon and secure on end with a paper clip.

 

2. Weave in all the panels to one side of the center, then do the other side.

 

 

3. The skirt panels are woven to the under side of the yoke. When weaving, weave over the outer bars for a more secure and stable connection.

 

4. The last panel gets woven on to the last few segments on one side; it doesn’t matter which.

 

Halo & Wings

 

The halo is centered behind the head with the lower part of the circle matching her chin. Hot glue in place in the hair area. Form the petals as desired.

 

The large wing segments are hot-glued to under the center wing segment. Match the area between the upper and lower wing to the center wing’s cross piece. Angle the segments as you wish.

 

 

 

Final Assembly Steps

 

Wrap the skirt sections around so that the horizontal yoke extensions align with each other to form the back placket of the dress. Match the wing extension over the placket and lace up with the second piece of ribbon. (I used white in this sample.) Before tightening the laces and tying the bow, insert the head into the neck opening.

 

 

 

 

I laced the white through the same slots as the red, then up one more (white only on top). I also alternated the cross-overs of the shoe-lace “x” with the white. How you lace is not as important as just securing her together. This section acts like the spinal column for the angel.

 

 

Once assembled, arrange and shape her wings as desired. Fan out her skirt panels. If the skirt doesn’t have enough body to support her upper section, you might want to use more stiffener in the skirt or just create a small cardboard “petticoat” to support her.

 

I left her skirt panels free-floating. If this bothers you, you can attach them as you choose—maybe tacking them with a small embellishment like a button or a small ribbon bow, or a bead or two.

 

Other Tips

 

I don’t recommend combining lots of multiple pieces in the hoop, especially with the larger or higher stitch count elements. If you do choose to do this, secure the stabilizer well (duct tape is very useful), and don’t color sort. Sew each design through entirely before moving to the next repeat.

 

Design Notes

 

Although I’ve digitized this as multi-color, you can easily sew the elements monochromatically or mix up the colors to suit your own tastes. On poinsettias, although we often consider the red part to be the flower, these are actually modified leaves. Don’t feel restricted to keeping the “leaves” on the skirt green and the “leaves” on the yoke red. Poinsettias come in a range of shades from creamy white through solid and mottled pinks and reds, even blue and black!

 

I simply used standard white embroidery weight bobbin thread, you may choose to wind bobbins to match the top thread. Keep in mind unless you find a very fine matching color, the matching bobbin thread is likely to be heavier and therefore add bulk to the embroidery.

 

You can also change the look of your angel by fabric selection in the appliqué areas. If your fabric choice is too thin or ravels easily consider using a fusible web to fuse multiple layers together. You could even choose a piece of lace for the skirt and underline it with organza.

 

You can also choose to embroider her outer wings on organza and then cut out. Nylon Twinkle organza comes in a wide range of colors.

 

Trouble Shooting

 

These designs have been thoroughly tested on multiple machines using the techniques included here. All testing was done with 2 layers of stabilizer; one layer simply does not stand up to machine tensions enough for free standing lace designs. (If you are sewing on another stable fabric, one layer is generally sufficient.)

 

If your lace is falling apart in some areas and you did not resize or otherwise alter the design and you followed the above instructions, it is generally an indication of:

 

  • Overly tight machine tensions (the higher the SPM, the tighter the tensions; slow your machine down!). This is especially true if designs are consistently falling apart in multiple areas.
  • Overly loose stitches are another tension problem and are more apparent on enlarged designs and when using finer thread.
  • Poor hooping technique. Stabilizer should be firmly and evenly gripped all around the hoop and must not be ripply, saggy, or puckered.
  • Stabilizer slipping during sewing. This is more likely with thin, slippery stabilizers (like Aqua Cloth), with distorted hoops, and larger hoops. Use some method to prevent slippage. Stabilizer slippage is further exacerbated with tight machine tensions and high SPM.
  • Skipped stitches at an inopportune time (possibly a needle problem). If this happens frequently or it has been a while since you changed the needle, change it now!
  • Thread catching or not feeding evenly. If a thread loop catches on your machine or the spool cap is not smooth and snags the thread, enough tension can be generated to cause a stitch to be shorter than it would under normal circumstances. Use a thread stand, thread net, or other method for insuring a smooth thread delivery to the needle.

 

If you cannot control your machine finely enough, it may be necessary to edit the design for that particular machine. Please note that if you do this, only work on a copy and only adjust as needed. Stitches that are overly compensated will look sloppy and detract from the beauty of your design.

 

Similar Designs

The Poinsettia Angel is the second angel of the heirloom lace angels. If you’d like the first one that is all lace, check out the Heirloom Lace Angel displayed on the top of my tree. You might enjoy this show-stopping, free-standing lace angel. At approximately 8.5” tall, she requires a minimum 130mm x 180 mm sewing field (5x7 hoop) for embroidering, preferably a 200mm x 300mm hoop for easiest method. You’ll get all the designs plus full instructions in this project collection. Download here.

 

The snowflakes are a set of 15 “mock crochet” FSL designs and stitch up quite quickly with much lower stitch counts than comparably sized lace ornaments. This collection also includes full instructions along with a tutorial on lace—perfect for newer embroiderers.

 

 

 

Free Design Warnings

3 free designs per week with no purchase,

6 free designs per week with $35 purchase, or

9 free designs per week with $75 purchase.

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