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Blog posts of '2024' 'November'

Perfect Man Apron
Perfect Man Apron

Be honest. We all know the perfect person for the “Perfect Man” apron and that person may be either male or female! I’ve also stitched this on sweatshirts without the doily and every time I give one, I hear a chorus of “will you make me one too?”

 

Shown here, the project can be sewn in a 5x7” hoop with three hoopings. If you have a larger hoop, you can consolidate a few hoopings.

 

The doily is not embroidered, it is simply a purchased one that I’ve zigzag stitched with my sewing machine using invisible thread. To keep the project moving along quickly, I used a purchased apron, which you can find easily on-line.

 

There are four variations on the appliqué gingerbread guy design and there are variations of the lettering to include “The Perfect Woman.” Also, there is a version of the phrase that uses the word “grief” instead of “crap” for those sensitive to the latter word. (What can I say? I’m not…)

 

 

Skill Level

Basic embroidery skills.

What You’ll Learn

  • How to plan and layout a multi-placement design project.
  • How to appliqué using templates.
  • What order to sew combined designs.
  • Why you should avoid color sorting. Supplies
  • Gingery Christmas design collection by Lindee G Embroidery
  • Purchased or pre-made apron
  • Purchased doily (can be any shape desired; mine is square). The large gingerman is about 4.5” tall so find one the size you like.
  • Temporary embroidery spray adhesive (TESA)
  • Scissors, sharp double curve embroidery scissors best
  • Embroidery threads as desired for designs
  • Mono filament thread to stitch doily to apron
  • Fusible web product for appliqué (I prefer double-stick pressure-sensitive products like Pellon Easy Steam or Steam-A-Seam II)
  • Printed templates from collection for selected appliqués
  • Appliqué tacking iron
  • Ruler
  • Stabilizers: Tearaway (I used washaway tearaway because it isn’t as crisp so it rehoops better), fusible tearaway for template printing
  • Chalk marker or other tool for temporary marking
  • Embroidery software to print designs for placement
  • Cellophane tap

 

 

General Instructions

These instructions assume you already know how to appliqué using the template method. If you’ve never done machine embroidered appliqué using precut pieces instead of stitching down a larger piece of fabric and then trimming it away (what I call the “blob” method), please read the included Appliqué Basics first! Applique Basics will cover how to prepare your appliqué pieces for use in this project as well as explain the full process for machne embroidered appliqué.

 

Project Instructions

 

1. Select designs and prepare.

Start your project by selecting the designs you’ll be using.

 

Print your embroidery designs from your software with cross hairs for placement. I printed mine in gray scale on a laser printer; you don’t need color for this step. Cut them out so they can be used for placement planning.

 

Print the appliqué template and prepare and cut out your appliqué design

 

2. Mark vertical center on apron.

 

Using your chalk marker and ruler, draw a line down the vertical center of your apron. I like chalk because it is fine enough, visible enough, and temporarily permanent enough for staying visible no matter how long it takes to complete the project while being easily removable when the time comes. Also, pressing with an iron does not impact its removability.

 

 

3. Plan placement and mark horizontal guides.

 

Arrange your cut out embroidery patterns along with your doily on your apron using the vertical line as a guide. You may wish to tape the templates temporarily at this point to keep them from shifting during the next step

 

 

Notice in the photo that the horizontal center of my ginger guy aligns with the horizontal center of the doily. Don’t be surprised if your doily is not perfectly symmetrical!

While you can combine designs in your software if you have a large enough hoop, I didn’t. I simply sewed each design individually as you’ll see in the next few steps. (It’s actually easier!)

 

4. Mark horizontal guides.

Using the cross hairs on the printed design patterns, draw horizontal lines with your ruler and chalk. Remove the pieces from your apron and connect the lines through the center.

 

5. Prepare the apron for embroidery.

 

Baste a large piece of stabilizer to the back of the apron using your sewing machine. This piece should be large enough to fully hoop with the apron and accommodate all the designs.

 

I used tearaway for easy removal. Although there is quite a bit of stitching, it is spread out over a wide area and there is no dense stitching. Also, purchased aprons are quite stable. If you are stitching on another fabric that may not be as stable, consider a different stabilizer.

 

6. Attach doily to apron.

 

There are several ways to attach the doily to the apron. I first fused the doily in place using fusible web and hen I zigzagged around the outer edge with my sewing machine using invisible thread in the needle. This gives the best of both worlds and keeps the doily looking sharp over laundering without eventually peeling off. You may choose to do one or the other, however, the fusible web may not fully secure the crocheted edges of the doily.

 

7. Position designs for this hooping.

 

Replace the templates you removed earlier and tape them into place, only using the ones that will fit your hoop. I have a fairly large hoop shown below and have arranged the top lettering and the ginger guy. The bottom lettering will be sewn in the next hooping and I’ll position that when ready.

 

If you have a 5x7 hoop, you’ll need to plan 3 hoopings and rotate the hoop for the center appliqué

 

8. Hoop for first stitching.

 

Center your hoop over the center of the design and hoop making sure the apron guides align with the center marks on your hoop.

 

To keep the ties from getting caught in the stitching. I’ve tied them up. You may also want to tape or pin them out of the way.

 

 

9. Turn on your appliqué tacking iron.

 

You’ll need your mini iron in just a few minutes. Turn it on now to make sure it is hot when you are ready to fuse the appliqué

 

10. Align needle over design center.

 

Load the ginger guy design and using the arrows on your machine’s control panel, move the hoop until the needle is over the center of the intersection. You can manually drop the needle and sink it into the paper to be sure.

 

 

Remove the ginger guy template before stitching!

 

11. Sew first color.

 

The first color in all of the gingerbread appliqués in this collection is the placement line, which is simply a running stitch to define where to put your pre-cut fabric. Notice in the photo below that the top lettering paper template is still in place

 

 

12. Place appliqué.

 

Remove printed template from front of appliqué piece and back protective sheet from fusible web. Carefully and precisely align the precut appliqué within the stitched guides.

 

 

 

13. Fuse the appliqué in place.

 

With your tacking iron, lightly fuse the appliqué into place to prevent it from shifting during the tack down stitching. I fuse the center areas more firmly and the outer edges lightly enough to be able to peel up in case I need to trim off any excess.

 

 

 

14. Continue sewing the tack down then stop machine.

 

I prefer to slow my machine down during this step in case there is any fabric slippage. The tack down stitch is a zigzag, which I feel secures the fabric better while avoiding any pleats and puckers that are more likely to occur with a straight running stitch tack down.

 

Manually stop the machine when the tack down has completed a full pass around the design.

 

15. Inspect your design.

 

Now is the time to check for any fibers that may have raveled off or for any fabric that extends beyond the outside edge of the zigzag stitching. Trim those off now for a professional result when the satin cover sews later. It is nearly impossible to cleanly trim them close enough later.

 

 

 

16. Align needle for lettering.

 

When the first design is finished, load the design for the top lettering and align the needle over the cross hairs on the paper template. Remove the template and sew the design.

 

17. Prepare second hooping.

 

Remove your project from the hoop and tape the template for the bottom lettering into place. Rehoop aligning the apron’s guide marks with your hoop’s center marks. Position the needle and sew the final design.

 

Because I have a large hoop, I was able to place the hoop so that the top was between my two areas of stitching rather than over previous stitching. Although the ideal position for sewing is the center of the hoop, I was not concerned about registration issues on the letter so chose this position to protect previous stitching.

 

 

If you watch the lettering sew, you’ll see that one line goes from left to right while the next goes back from right to left. Keyboard lettering does not do that but you can certainly digitize letters that way!

 

18. Embroidery is complete

Tips & Cautions

 

1. Do not color sort!

If you are combining designs in software or at your machine, you’ll get the best results if you sew each design individually. There are some machines that will automatically “color sort” designs for you at the machine and this “feature” cannot be overridden.

 

Color-sorting will look through your designs and combine repeated colors where it thinks it’s a smart thing to do. In my opinion as a digitizer, color sorting is seldom a smart thing to do because it can often increase registration problems while reducing finished quality. I’d rather spend a few extra minutes changing colors than end up with a project that I’m not happy with!

 

2. Sew larger designs first and lettering last.

 

Larger more intense designs put more distortion on the fabric and can pull the fabric out of square. If you sew lettering first, the baselines may end up crooked from all the pushing and pulling from the dense stitching. Although that’s not an issue in this project, it’s a good thing to know.

3. Sew from the center out.

 

You may already know this from quilting or other crafts. Working from the center of the project to the outside tends to reduce puckering. If you followed these instruction, you’ll notice we started with the ginger guy, who not only is in the center but is the largest element in the design. Again, not a big deal in this project but a useful tip in other ones with more intense designs.

Fanciful Bird Ornament
Fanciful Bird Ornament

Creating these little padded ornaments is easy if you have a design that’s already set up but what if you don’t? Then you’ll need to do a little extra work. For this bird ornament, I’ve deleted a few elements—easy peazy—and digitized an additional seam around the bird. While that seam is not rocket science digitizing, it’s not all that easy to draw if you’re not comfortable creating smooth curves.

 

And if you don’t digitize? Well then, just echo stitch around with your sewing machine or get the additional edited birds.

 

To get a bolder look, I stitched the bird with 30 wt. cotton thread. The outer seam was stitched in 40 wt. red polyester embroidery thread with a matching bobbin.

 

 

 

Skill Level

Detailed instructions on how to edit the design are not included here, simply how to finish the bird ornament, which is pretty basic embroidery. If you’d like ready-to-go edited versions, you can download them here: Fanciful Birds Ornaments.

 

What You’ll Learn

  • How to use simple yet creative techniques to expand your embroidery options
  • How to make a padded free-standing embroidered ornament

Selecting a Design

I created these ornaments from a previously released collection, called Fanciful Birds (lvp001). Many times after creating a design, I’ll think of some other way I’d like to use them that may require some modifications. Sometimes I just want to do basic customizing like changing the colors, resizing, combining with another design, or adding lettering. These are easy changes that even the most novice embroiderer can perform in a program like Embrilliance Essentials.

 

If you don’t yet have a customizing program or have one you don’t like or know how to use, you can download a free trial version of Essentials

 

Other times I may need to do some simple editing, deleting some elements or pulling out some part to use on its own. This, too, is relatively easy with some simple software like Embrilliance Enthusiast.

 

For other designs and projects, I may need to do a little digitizing. Learning to digitize to add some run stitches to a design can be very useful. Sometimes I need a basting line that more closely follows the edge of an odd-shaped design. Learning to draw and apply a run stitch is not all that difficult. Taking that skill one step further will allow you to make ornaments like this out of many designs.

 

If you don’t have digitizing software and would like something basic that will allow you to add simple stitches and doesn’t cost a mini fortune, check out Embrilliance Stitch Artist. If you’re already familiar with other Embrilliance software, you’ll already have a leg up on learning the program.

 

I chose to echo the outline of the bird for my ornament. Of course you could choose a shape in your software and use that for your stitching line. If you’d prefer to have edited versions of these designs ready to go for the ornaments, they are also available here: Fanciful Birds Ornaments.

 

When applying the stitches to my outline, I first stitched a single run, inserted an applique stop (or a color change), then repeated the line with a bean stitch. The first run will give me a guide for placing the felt on the back and aligning the ribbon hanger. Making it a separate color from the final bean stitch forces the machine to stop making it easier to remember when to add the back pieces and ribbon.

 

Thread Notes

 

These designs were digitized for 40 weight thread. I’ve sewn them in 50 wt. cotton and 30 wt. cotton on different projects. With the thicker thread, the individual stitches are a little less defined and little bulkier and the overall look is bolder. I chose a matching red 40 wt. polyester for the seam. It will sink into the felt and be less noticeable.

 

I used a standard prewound white poly bobbin thread and wound a bobbin with 40 wt. red. If I were doing a filled area and wanted a matching bobbin color, I would have opted for 60 wt. thread to keep the design from becoming too stiff. Stiffness and bulk are not an issue on these ornament designs because of their use and because the design is very open.

 

Using a heavier thread with filled designs can cause cupping and puckering because it creates too much thread bulk for the area.

 

I found I was successful using a size 75/11 embroidery needle even with the slightly heavier embroidery thread and experienced no thread breaks nor did the machine require any tension adjustments. All machines are different and some just seem to be happier with some thread weights and types than others.

 

What You’ll Need

 

I used felt for my ornaments. Another choice would be fleece or some other non-raveling fabric.

I would not go with a vinyl or some other “non fabric” unless it had a fabric backing; the design is too dense as is and could punch out a hole.

 

 

Instructions

 

1. Stitch the bird and the placement guide.

 

Hoop the felt with tearaway and stitch the bird design through color 2. Be sure to change your bobbin thread if you are matching your thread colors.

 

Although you don’t really need to change the bobbin thread until color 3, I changed it when I changed my top thread to red at color 2. One, so I didn’t forget to change it when sewing color 3, which is also red, and two, because it made an easier reference for placing the back pieces in the next step.

 

2. Apply the ribbon and backing pieces.

 

Remove the hoop from the machine but not the fabric from the hoop. Place the hoop face down. Fold the ribbon in half and tape in place with the cut ends within the sewing line. Make sure the tape is outside the sewing line.

 

 

I used a small strip of water soluble Wonder Tape to hold the cut ends of the ribbon together.

 

Cut two pieces of felt. Mine are about 3.5” x 5.5” for bird 1. Lightly mist each piece with TESA and smooth into place, overlapping them about 1/2”

 

 

 

If you overlap too much, the ornament will be hard to stuff. If you don’t overlap enough then the ornament will be prone to “gaposis” if you insert too much stuffing.

 

If you aren’t stuffing your ornament, then you can simply place a larger single piece to completely cover the back.

 

I also secured the edges with painter’s tape to keep them from lifting or catching during stitching. Make sure the tape is outside the sewing line.

 

 

When taping things to the back of the hoop, resist the temptation to press firmly unless the tape is only over the hoop edges. Just lightly press on the tape, then flip the hoop over, place the hoop on firm, flat surface and secure the tape into position by finger pressing well. Check the back one more time to make sure there are no exposed sticky ends curled up. Pressing from the front insures that you aren’t disturbing hoop tensions, which could cause registration issues.

 

3. Sew the rest of the design.

 

Stitch the last color change and remove from hoop.

 

4. Remove tearaway.

 

Before cutting out your ornament, tear away the stabilizer. If you cut first, it will be hard to pick out the tearaway.

 

5. Cut out ornament.

 

Carefully and evenly trim away the fabric about .25 - .5” away from the stitching line with pinking shears taking care not to cut the ribbon. I found that if I cut the back layer of felt under the ribbon first, then I could fold the ribbon over to the back and hold in place while I trimmed the rest of the design through all layers thus avoiding any mishaps.

 

6. Lightly stuff with fiber fill.

 

Stuff the ornament through the back. Since I stitched mine on felt, the lapped edges are not finished and I didn’t even stitch them together afterwards.

 

 

You could also make a small scented sachet bag to slip inside.

 

You can be finishing your bird ornament while the next one sews!

 

Troubleshooting

Making this ornament requires removing and replacing the hoop several times. Be sure to insert your hoop all the way each time or the rest of your design won’t register properly. Also, watch when working with the hooped fabric during the process that you don’t disturb the hoop tension.

 

Cotton thread produces a lot of fuzz, even if you only use it in the needle and not the bobbin. I brushed off the fuzz from the presser foot area after each bird and used a lint roller to remove fuzz from the felt.

 

 

Lint will also build up in the bobbin case. Here’s what mine looked like after only three birds!

 

Summary

 

These little ornaments are quick and easy to make! If you can’t or don’t digitize then the birds are also available already prepared for stitching into your own little flock. And truly, stitching around them on your sewing machine is not all that big a deal either.

 

Another reason you might want to stitch them with your sewing machine is if you only have a small sewing field that can’t accommodate the extra hoop space required for the additional stitching. The original birds all fit within a 100 x100mm sewing field.

 

You could easily adapt this technique for baby toys, pet toys, or scented hot pads. They make nice little package ties and look cute hanging in a window all year long!

 

 

Poinsettia Lace Angel
Poinsettia Lace Angel

This exquisite Poinsettia Angel features free-standing machine embroidered lace combined with appliqué panels on her skirt. The wings can be embroidered as either free-standing lace (as shown) or embroidered onto Twinkle Organza for a shimmery, gossamer effect. This angel can beautifully top off your Christmas tree or become the magnificent focal point on your mantle or holiday table. Make her as special gift for someone special—which just might be you!

 

Appliqué is personally one of my favorite techniques. It is relatively easy and can add texture, pattern, and colors that aren’t available in thread. And it can significantly reduce stitch counts. Here I’ve used appliqué on the skirt, part of which is hidden under the lace yoke. Having a solid area there allows the intricate lace detail to be more visible.

 

This project assumes you have some experience with embroidering lace. I have a included beginner tutorial with Winter Jewels Mock Crochet Snowflakes, which are geared for beginner embroiderers.

 

These instructions focus on assembling the angel and include only basic instructions on the featured techniques.

 

Featured Techniques

 

  • Free-Standing Lace
  • Free-Standing Appliqué
  • 3-D Appliqué with Free-Standing Lace

 

Instructions

 

This design project includes multiple pieces and techniques. Please read through the directions first. Also, plan time to make this angel. Although not technically difficult, she does require attention to detail and time. You’ll need sewing time, drying time, and assembly time so do allow more than a quick afternoon make-it, take-it kind of project.

 

Please read all instructions before beginning!

 

Abbreviations

 

  • TESA Temporary Embroidery Spray Adhesive
  • FSL Free-standing Lace
  • FSA Free-Standing Appliqué
  • 3DA 3D Applique

 

Supplies

For embroidery:

 

    • Poinsettia Lace Angel designs
    • Small amount of fabric (fat quarter) for skirt appliqués (must be compatible with water to allow stabilizer removal)
    • Embroidery machine with minimum 130 x 180mm (5x7”) sewing field
    • Embroidery thread: These designs were digitized and tested with 40 weight embroidery threads (SoftLight Metallic, Rayon, polyester, cotton)
    • Bobbin thread: I used regular embroidery bobbin thread (for best results, wind on the bobbin your machine prefers if prewounds aren’t providing optimal results).
    • Needles: embroidery needle to accommodate thread. I used a 75/11 Schmetz. I do not use a metallic needle with metallic threads.
    • Water soluble non-woven fiber based stabilizer (Hemingworth Wash-Away and Sulky FabriSolvy are my two favorites)
    • Optional (but very useful!): thread stands
  • TESA (I prefer KK2000)
  • Cellophane tape

For drying:

  • Wire cookie drying rack

For Finishing:

  • Fine-tipped hot glue gun
  • 2 strips quarter inch wide ribbon (24” eachis sufficient); can be same or different colors
  • Tapestry needle for lacing ribbons
  • Clamp-type paper clip or clothes pin

Optional and Useful

  • Light table

For Embellishing:

    • Optional: glitter glue, white glue and glitter, tiny hot-fix crystals, bead, ribbon or decorative cord for hanging

Abbreviations

      • TESA - Temporary Embroidery Spray Adhesive
      • FSL - Free-Standing Lace
      • FSA - Free-Standing Appliqué
      • 3DA - 3D Appliqué
      • SPM - Stitches per minute

The Designs

 

This collection includes 10 design files, which are numbered in the approximate sewing order:

 

      • lgp00301 - Single leaf (useful if you have to replace one or want to test your technique first)
      • lgp00302 - 7 individual leaves combined (fits 5x7 hoop)
      • lgp00303 - single skirt panel, for 5x7 hoops
      • lgp00304 - 3 skirt panels combined for larger hoops
      • lgp00305 - dress yoke
      • lgp00306 - head
      • lgp00307 - 3-point halo
      • lgp00308 - 4-point halo
      • lgp00309 - large back wing segment (mirror for opposite side)
      • lgp00310 - middle forward wing section

 

Some formats will be missing some files because they are too large for your sewing field. This is why the DST format is always preselected and you should download it with your desired formats.

 

Preliminaries

 

Detailed instructions are not included for the various techniques. If you need more instructions please check the website or YouTube for free help:

 

General Instructions Overview

 

For those of you who don’t like to read directions, please at least read these general instructions to save yourself a little frustration. Those of you who need more guided assembly instructions can keep reading.

 

Some designs need to be sewn in a specific order. For example, the pieces used as 3D appliqués need to be sewn before the piece to which they are attached. Make sure you understand the sewing order, too, if you decide to combine pieces into one hoop.

 

        • The leaves are attached to the skirt panels; sew leaves in a separate hoop before the skirt panels.
        • The 3-point halo is a 3D applique attached to the 4-point halo; sew the 3-point halo in a separate hoop before the 4-point halo.

 

 

The sample shows 6 skirt panels, which are attached to the yoke by lacing with a ribbon. The double layer halo section is hot glued to the back of the head, which simply sits inside the skirt neck opening. The large wing segments are hot glued to the back of the small center wing segment. The yoke extensions meet in the back to form a back dress placket and are laced to the wings with ribbon.

 

All pieces of this project are sewn on two layers of water-soluble stabilizer. Feel free to use colors of your choice; the Poinsettia Angel would look elegant sewn monochromatically in ivory.

 

I prefer to match the appliqué thread to the fabric color but please yourself. You can totally change the character of your angel by altering the colors, threads, and fabrics you choose.

 

Step 1: Sewing

 

1. Make the Skirt Panels

The sample shown uses 6 skirt panels. You may choose to sew more or fewer. Each skirt panel is a 2 part appliqué.

1. The main fabric skirt section is appliquéd directly to the stabilizer.

 

2. The second appliqué is the center lace leaf motif, which is attached with the berry elements.

 

Therefore, you need to embroider the leaves before embroidering the skirt panel.

 

Center Leaves

 

There are two leaf design files. The first one is just a single leaf motif. This single design is included for test your machine for optimal tensions, if your machine is not getting results with the combined group, and if you just need to replace a leaf that didn’t sew out well.

 

The second combines 7 leaves which will fit a 130x180mm hoop or a round hoop on multi-needle machines. DO NOT COLOR SORT THIS FILE. Yes there are only two colors and yes, they repeat for each leaf. This method results in better registration, a critical factor in successful lace designs.

 

There are 7 leaves because this fits the 180 round hoop on my machine perfectly and also filled the 130 x 180 hoop nicely. It gives you one extra leaf so you can choose the 6 best ones or, if the first 6 sew out perfectly, stop before sewing the last one.

 

Sew the leaves as standard FSL. Cut out the leaves close to the stitching and do not remove the stabilizer

 

Skirt Panels

 

These appliqués were designed to work best with precut appliqué pieces using the included template. This is my favorite method for appliqué because it gives a clean, crisp, professional result with no little pokie fibers jutting out from the satin edges.

 

1. Print out the PDF template at actual size (Page Scaling: None) from Acrobat.

 

2. Apply the template to the FRONT side of prepared fabric (preshrunk, pressed, starched).

 

I prefer to print on fusible tear-away in an ink jet printer then iron the pieces to the fabric. This reduces the chances of slipping. You must cut your fabric EXACTLY like the template! If your fabric cannot tolerate heat, use TESA to secure the template to the fabric.

 

3. Cut out appliqué pattern EXACTLY along the outside edge of the outline.

 

4. At the machine, sew the placement guide (color 1). The machine should then stop, usually at the top of the appliqué area (left or right side of hoop on combined skirt panels file).

 

5. Remove the paper pattern from the appliqué, mist the back of the fabric lightly with TESA

and precisely align the pre-cut appliqué piece over the stitched outline making sure it won’t shift during the tack down process. Continue sewing.

 

6. ACCURACY THROUGHOUT THESE STEPS IS CRITICAL!

 

You may want to slow the machine down during the tack down in case you need to make some placement adjustments. Stop the design after the tack down sews and trim off any fabric that extends beyond the tack down. Attention to detail here will give you clean professional-looking appliqués with no “pokies” extending beyond the stitching.

 

Continue sewing the skirt panel up to the second appliqué stop. The last color sewn at this point will be the outlines for the berries, which are just placement guides. Align the berries on the cut out leaf motif over these guides and tape the leaf in place with regular cellophane tape outside of the sewing area (berries).

 

Sew the final color. Your skirt panel is complete. One down, five to go!

 

2. Make the Halo

 

The halo is a two piece 3D applique similar to the skirt bottom. Sew the 3-point halo first and cut out around the outer edges only.

 

Sew the 4-point halo up to the appliqué stop. Take the hoop out of the machine; do not unhoop the fabric. Line up the 3-point halo over the 4-point so that the center petal/bract is aligned vertically and the center circles exactly match.

 

This is where a light table comes in handy. Tape each top petal to hold the top piece in place. Return the hoop to the machine and sew the last color, which is a satin stitch over the circle attaching the two pieces together.

 

 

 

3. Sew Remaining Pieces

 

All the other pieces are sewn flat, with no special techniques. Be sure to mirror the large wing and sew again for the other side.

 

Step 2: Removing Stabilizer

 

Before removing stabilizer, clean up any thread tails and allow any TESA to fully dissipate. You can speed this process with a warm dry iron but do keep in mind heat will shrink the stabilizer. Don’t panic though, because you are going to wash it out in the next step. Just make sure you don’t press in any permanent creases into the fabric.

 

Refer to your product’s instructions for water temperature and any special requirements. Avoid over-soaking, especially on the full lace pieces. Simply rinse until you don’t see any stabilizer remaining, the extra remaining stabilizer will add support to your angel. It will probably feel gooey when you take it out of the water.

 

t is vital that the yoke and center wing extensions remain as stiff as possible since this supports the wing structure.

 

After rinsing, smooth out pieces on an absorbent, lint-free towel and roll or blot to remove excess moisture; do not wring lace. Lace pieces can then be laid on a wire cookie cooling rack to dry or be shaped or blocked over non-stick items as desired. (I dried mostly flat, curling the petal tips slightly). You will probably need to press the skirt panels to smooth them out when dry.

 

I used red silk for one angel’s skirt. Because this fabric bled when placed in water, I chose thread colors that would not be affected by any bleeding. And if you’re wondering about water spots on the silk… I soaked the entire piece in hot water before appliquéing so I guess that made it one giant water spot!

 

Embellishments

 

Once fully dry, feel free to embellishing with hot-fix crystals, sequins, glitter, etc. This is easier to do before assembling your angel.

 

Assembling the Poinsettia Angel

 

Skirt & Yoke

 

The skirt panels are attached to the yoke by weaving with ribbon through the Richelieu bars on the yoke section. There’s no real science to this; I chose to center the skirt panels under the petals on the yoke. Leave enough length on each end to tie a bow. The piece I used was about 24” long.

 

Pay attention that you attach the skirt panels right side up!

 

 

 

Some Helpful Tips

 

1. Start in the middle of the yoke with the center front skirt panel. Pull up half the length of the ribbon and secure on end with a paper clip.

 

2. Weave in all the panels to one side of the center, then do the other side.

 

 

3. The skirt panels are woven to the under side of the yoke. When weaving, weave over the outer bars for a more secure and stable connection.

 

4. The last panel gets woven on to the last few segments on one side; it doesn’t matter which.

 

Halo & Wings

 

The halo is centered behind the head with the lower part of the circle matching her chin. Hot glue in place in the hair area. Form the petals as desired.

 

The large wing segments are hot-glued to under the center wing segment. Match the area between the upper and lower wing to the center wing’s cross piece. Angle the segments as you wish.

 

 

 

Final Assembly Steps

 

Wrap the skirt sections around so that the horizontal yoke extensions align with each other to form the back placket of the dress. Match the wing extension over the placket and lace up with the second piece of ribbon. (I used white in this sample.) Before tightening the laces and tying the bow, insert the head into the neck opening.

 

 

 

 

I laced the white through the same slots as the red, then up one more (white only on top). I also alternated the cross-overs of the shoe-lace “x” with the white. How you lace is not as important as just securing her together. This section acts like the spinal column for the angel.

 

 

Once assembled, arrange and shape her wings as desired. Fan out her skirt panels. If the skirt doesn’t have enough body to support her upper section, you might want to use more stiffener in the skirt or just create a small cardboard “petticoat” to support her.

 

I left her skirt panels free-floating. If this bothers you, you can attach them as you choose—maybe tacking them with a small embellishment like a button or a small ribbon bow, or a bead or two.

 

Other Tips

 

I don’t recommend combining lots of multiple pieces in the hoop, especially with the larger or higher stitch count elements. If you do choose to do this, secure the stabilizer well (duct tape is very useful), and don’t color sort. Sew each design through entirely before moving to the next repeat.

 

Design Notes

 

Although I’ve digitized this as multi-color, you can easily sew the elements monochromatically or mix up the colors to suit your own tastes. On poinsettias, although we often consider the red part to be the flower, these are actually modified leaves. Don’t feel restricted to keeping the “leaves” on the skirt green and the “leaves” on the yoke red. Poinsettias come in a range of shades from creamy white through solid and mottled pinks and reds, even blue and black!

 

I simply used standard white embroidery weight bobbin thread, you may choose to wind bobbins to match the top thread. Keep in mind unless you find a very fine matching color, the matching bobbin thread is likely to be heavier and therefore add bulk to the embroidery.

 

You can also change the look of your angel by fabric selection in the appliqué areas. If your fabric choice is too thin or ravels easily consider using a fusible web to fuse multiple layers together. You could even choose a piece of lace for the skirt and underline it with organza.

 

You can also choose to embroider her outer wings on organza and then cut out. Nylon Twinkle organza comes in a wide range of colors.

 

Trouble Shooting

 

These designs have been thoroughly tested on multiple machines using the techniques included here. All testing was done with 2 layers of stabilizer; one layer simply does not stand up to machine tensions enough for free standing lace designs. (If you are sewing on another stable fabric, one layer is generally sufficient.)

 

If your lace is falling apart in some areas and you did not resize or otherwise alter the design and you followed the above instructions, it is generally an indication of:

 

  • Overly tight machine tensions (the higher the SPM, the tighter the tensions; slow your machine down!). This is especially true if designs are consistently falling apart in multiple areas.
  • Overly loose stitches are another tension problem and are more apparent on enlarged designs and when using finer thread.
  • Poor hooping technique. Stabilizer should be firmly and evenly gripped all around the hoop and must not be ripply, saggy, or puckered.
  • Stabilizer slipping during sewing. This is more likely with thin, slippery stabilizers (like Aqua Cloth), with distorted hoops, and larger hoops. Use some method to prevent slippage. Stabilizer slippage is further exacerbated with tight machine tensions and high SPM.
  • Skipped stitches at an inopportune time (possibly a needle problem). If this happens frequently or it has been a while since you changed the needle, change it now!
  • Thread catching or not feeding evenly. If a thread loop catches on your machine or the spool cap is not smooth and snags the thread, enough tension can be generated to cause a stitch to be shorter than it would under normal circumstances. Use a thread stand, thread net, or other method for insuring a smooth thread delivery to the needle.

 

If you cannot control your machine finely enough, it may be necessary to edit the design for that particular machine. Please note that if you do this, only work on a copy and only adjust as needed. Stitches that are overly compensated will look sloppy and detract from the beauty of your design.

 

Similar Designs

The Poinsettia Angel is the second angel of the heirloom lace angels. If you’d like the first one that is all lace, check out the Heirloom Lace Angel displayed on the top of my tree. You might enjoy this show-stopping, free-standing lace angel. At approximately 8.5” tall, she requires a minimum 130mm x 180 mm sewing field (5x7 hoop) for embroidering, preferably a 200mm x 300mm hoop for easiest method. You’ll get all the designs plus full instructions in this project collection. Download here.

 

The snowflakes are a set of 15 “mock crochet” FSL designs and stitch up quite quickly with much lower stitch counts than comparably sized lace ornaments. This collection also includes full instructions along with a tutorial on lace—perfect for newer embroiderers.

 

 

 

Free Design Warnings

3 free designs per week with no purchase,

6 free designs per week with $35 purchase, or

9 free designs per week with $75 purchase.

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